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Patriarchy and (Un)Doing Factory of Women's Collective Identity in Sri Lanka's Localised Global Apparel Industry: The Glass Ceiling Revisited

Patriarchy and (Un)Doing Factory of Women's Collective Identity in Sri Lanka's Localised Global Apparel Industry: The Glass Ceiling Revisited
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Author(s): Dhammika Jayawardena (University of Sri Jayewardenepura, Sri Lanka)
Copyright: 2018
Pages: 18
Source title: Handbook of Research on Women's Issues and Rights in the Developing World
Source Author(s)/Editor(s): Nazmunnessa Mahtab (University of Dhaka, Bangladesh), Tania Haque (University of Dhaka, Bangladesh), Ishrat Khan (University of Dhaka, Bangladesh), Md. Mynul Islam (University of Dhaka, Bangladesh)and Ishret Binte Wahid (BRAC, Bangladesh)
DOI: 10.4018/978-1-5225-3018-3.ch002

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Abstract

Systemic manifestations of women's subordination, such as the glass ceiling, are still a reality in organisations. Yet, the glass ceiling effect in the Global South is often conceptualised vis-à-vis (white) women's experience in ‘gendered organisations' and women's domestic role in the Southern societies. In this context, this chapter, based on a fieldwork research conducted in Sri Lanka's apparel industry, critically examines the glass ceiling effect of glass ceiling on women's career advancement in the Global South. Alongside the notion of ‘universal' patriarchy, it problematises the ‘universal' structure of the glass ceiling. And it shows that (un)doing factory women's collective identity—as lamai (little ones)—and the glass ceiling intermingle in the process of women's subordination in the apparel industry. The chapter concludes that, in the apparel industry, the role of managerial women —as well as of men in (un)doing factory women's collective identity—is crucial in keeping the glass ceiling in place.

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