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Information Resources Management Association
Advancing the Concepts & Practices of Information Resources Management in Modern Organizations

Daniel Brandão

Daniel Brandão holds a PhD in digital media, in the domain of audiovisual and interactive content creation, at the University of Porto (2014), where he developed the project Museum of Ransom ( ), a participatory website that collects videos made by citizens about the city’s daily life, aiming at legitimizing their cultural heritage vocation. He also co-coordinated the project Citadocs: creation of collaborative mini-documentaries, born in Future Places Medialab for Citizenship. He holds a degree in communication design (2004) and a master’s degree in multimedia art (2008), both at the Faculty of Fine Arts of the University of Porto. He is assistant professor at the Department of Communication Sciences at Institute of Social Science, University of Minho, and integrated researcher at the Communication and Society Research Centre. He is co-principle investigator of the project bYou: Study on Children and Young People’s Experiences and Expressions of the Media (PTDC/COM-OUT/3004/2020), and integrates the teams of the research projects ECHO: Echoing the Communal Self (EXPL/ART-DAQ/0037/2021) and HERIC 2D: Health Risk Communication (2022.06008.PTDC), all of them funded by Portuguese Foundation for Science and Technology. He is co-chair of DIGICOM (International Conference on Design and Digital Communication), has co-edited several books on design and has participated in several scientific committees of international conferences and journals. With vast teaching experience in public and private universities in the areas of communication design, audiovisual and multimedia, he has worked in Polytechnic Institute of Cávado and Ave, Escola Superior Artística do Porto, College of Art and Design — Matosinhos, Universidade Católica Portuguesa — Braga. He has worked with several institutions in the area of culture, with particular emphasis on the Serralves Foundation, and its Museum of Contemporary Art, with which he collaborated for six years.
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