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Advancing the Concepts & Practices of Information Resources Management in Modern Organizations

Art and Design Criticism in Art Production and Instruction

Art and Design Criticism in Art Production and Instruction
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Copyright: 2014
Pages: 22
Source title: Computational Solutions for Knowledge, Art, and Entertainment: Information Exchange Beyond Text
Source Author(s)/Editor(s): Anna Ursyn (University of Northern Colorado, USA)
DOI: 10.4018/978-1-4666-4627-8.ch005

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Abstract

This chapter examines some of the changes in views about art, criticism of art works, and art-related teaching objectives, as they evolve with the developments in the new media art, works created through the Web, social networking, art created on portable devices, as well as information technologies. First, this chapter examines the changing meaning of the aesthetics notion in mathematics, science, information art, and information technology, as well as changes in the views about instruction in art criticism. Examination of these approaches is then contrasted with the models adopted in education. The four-part model used in instructional design, based on audience, outcome, environment, and usability, is adapted to suit the needs of art criticism. Materials based on a literature review provide the rationale for a four-part model to facilitate art critique. The next part is about the changing dimensions of criticism in the new media art and product design in respect to the product semantics analysis.

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