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Globalization and the Dynamics of Work Markets
Abstract
In proposing an analysis of the professionalization and the occupations of cinema based on the discoveries of interactionist sociology, The Filmic Factory defines film practices in concrete terms. Taking a look at the other side of the scenery allows us to grasp the interior processes at work in the fabrication of a film. How does one describe these different categories of audiovisual and film occupations over a long period of time through the lens of more complex professional constructions at the intersection of French public policy since 1936 and current evolutions in a market based on intermittent employment? On the basis of numerous inquiries in various studios (France, Central Europe, United States, India, Russia, and others), this chapter proposes a new perspective on this specific market in the context of globalization in order to better understand the anonymous history of those who have created cinema.
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