The IRMA Community
Newsletters
Research IRM
Click a keyword to search titles using our InfoSci-OnDemand powered search:
|
The Coexistence of Violence and Aesthetics in Performance Art: The Forms of Catharsis
Abstract
During the performances based on performance art, the audience and the performers are in interactive communication. Along with the performance art, artistic communication becomes symmetrical and the artist with the audience share an emotional and mutual sharing. Performance art is an important example of artistic communication model. In addition, the art of performance opposes the social, physical, spiritual borders we are in, and deals with issues such as supervision policies, religious and ideological exploits, identity and gender discrimination, diseases, unemployment, economic and ecological problems. It is seen that performance art frequently uses the aesthetics of violence while addressing these issues. In this chapter, two important representatives, who use violent of aesthetics in their performing arts, Marina Abramovic and Hermann Nitsch, will be the subjects.
Related Content
|
Peter Arthur Barone.
© 2023.
17 pages.
|
|
Patricia A. Goforth.
© 2023.
22 pages.
|
|
Steven Lloyd Leeper.
© 2023.
18 pages.
|
|
Neslihan Yayla.
© 2023.
25 pages.
|
|
İlknur Gümüş.
© 2023.
14 pages.
|
|
Sarah E. Daly.
© 2023.
15 pages.
|
|
Yakup Alper Varış.
© 2023.
22 pages.
|
|
|